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Dandelion This Is a Baby With Its Head Popped Off

1973 studio album by the Rolling Stones

Goats Head Soup
The Rolling Stones - Goats Head Soup.jpg
Studio album by

the Rolling Stones
Released 31 August 1973 (1973-08-31)
Recorded 25 November 1972 – v February 1973
Studio
  • Dynamic Sounds (Kingston, Jamaica)
  • The Village (Los Angeles)
  • Island (London)
Genre
  • Stone and roll
  • blues stone
  • funk rock
Length 46:56
Label Rolling Stones
Producer Jimmy Miller
The Rolling Stones chronology
Exile on Master St.
(1972) 		Goats Head Soup
(1973) 		It'southward Merely Rock 'n Coil
(1974)
Singles from Goats Head Soup
  1. "Angie" / "Silver Train"
    Released: 20 August 1973
  2. "Doo Doo Doo Doo Doo (Heartbreaker)" / "Dancing with Mr. D"
    Released: Dec 1973

Goats Caput Soup is the 11th British and 13th American studio anthology by the English rock band the Rolling Stones. It was released on 31 August 1973 by Rolling Stones Records. Similar its predecessor Exile on Main St., the band composed and recorded much of it outside of the Great britain due to their status as tax exiles. Goats Head Soup was recorded in Jamaica, the United States and the United Kingdom. The album contains ten tracks, including the lead single "Angie" which went to number one as a single in the The states and the top 5 in the Uk.

The album was the last to be produced by Jimmy Miller who was a key architect of the Rolling Stones sound during their most acclaimed period which began with 1968's Beggars Banquet. Bass guitarist Nib Wyman merely appears on three of the anthology's 10 tracks, but the balance of the Rolling Stones, lead vocaliser Mick Jagger, guitarists Keith Richards and Mick Taylor, and drummer Charlie Watts play on every track, with the exception of "Winter", which does non feature Richards. In addition to the primary band, the standard cadre of Rolling Stones collaborators likewise play extensively on the anthology, including saxophonist Bobby Keys, organist Billy Preston, and pianists Nicky Hopkins and Ian Stewart.

Goats Caput Soup achieved number one chart positions in the United kingdom of great britain and northern ireland, Us, and several other world markets. However, information technology received mixed reviews from critics and audiences and is by and large seen as the beginning of the band'south pass up subsequently a string of critically acclaimed albums. The band supported the album on a tour of Europe following its release. The album was remastered and released in 1994 and again in 2009 by Virgin Records and Universal Music respectively. It was remixed past Giles Martin for a 2020 reissue, including a deluxe edition with bonus tracks and unreleased outtakes. The re-issue returned the album to number ane in the Great britain charts.

Recording [edit]

In November 1972 the band relocated to Dynamic Sounds studio in Kingston, Jamaica. Keith Richards said in 2002: "Jamaica was i of the few places that would allow us all in! By that time about the but country that I was allowed to exist in was Switzerland, which was damn boring for me, at least for the beginning year, because I didn't like to ski ... Nine countries kicked me out, cheers very much, so it was a affair of how to proceed this thing together ..."[1]

Of the recording procedure, Marshall Chess, the president of Rolling Stones Records at the time, said in 2002, "We used to book studios for a month, 24 hours a mean solar day, so that the ring could keep the same set-up and develop their songs in their free-form way, starting with a few lyrics and rhythms, jamming and rehearsing while nosotros stock-still the sound. It amazed me, as an erstwhile-time tape guy, that the Stones might non have played together for six or eight months, but within an hour of jamming, the synergy that is their forcefulness would come into play and they would lock information technology together every bit i ..."[2]

Jagger said of their approach to recording at the time, "Songwriting and playing is a mood. Like the terminal album we did (Exile on Master St.) was basically recorded in short concentrated periods. Two weeks hither, two weeks in that location – and then another ii weeks. And, similarly, all the writing was concentrated and so that yous get the experience of one particular flow of fourth dimension. 3 months later information technology's all very different and we won't be writing the same kind of cloth as Goats Head Soup."[3]

On the sessions and influence of the isle, Richards said, "The album itself didn't have that long, but we recorded an awful lot of tracks. There were not merely Jamaicans involved, but also percussion players who came from places like Guyana, a travelling pool of guys who worked in the studios. It was interesting to exist playing in this totally different atmosphere. Mikey Chung, the engineer at Dynamic, for example, was a Chinese human being – you realise how much Jamaica is a multi-ethnic environment."[4]

The first track recorded at Dynamic was "Winter", which Mick Taylor said started with "but Mick (Jagger) strumming on a guitar in the studio, and everything falling together from in that location".[3] The main theme of the lyrics of the vocal go back to a 1968 outtake "Blood Carmine Vino". The song is besides the only song on the anthology that does not feature Richards equally a performer, with the electrical rhythm guitar being played by Jagger. Mick Taylor would after tape longer versions of "Wintertime" with Carla Olson for her The Band of Truth album and "Silver Train" for their Too Hot for Snakes album.

The album's pb unmarried, "Angie", was an unpopular choice as lead single with Atlantic Records which, according to Chess, "wanted another 'Dark-brown Sugar' rather than a ballad".[v] Although the song was rumoured to be about David Bowie'south first married woman Angela,[6] [7] [8] [9] both Jagger and Richards accept consistently denied this.[9] In 1993, Richards, in the liner notes to the compilation album Jump Back: The Best of The Rolling Stones, said that the title was inspired by his infant daughter, Dandelion Angela.[10] However, in his 2010 memoir Life, Richards denied this, saying that he had chosen the proper name for the song before he knew the sex activity of his expected baby: "I just went, 'Angie, Angie.' It was not about whatsoever particular person; information technology was a name, like 'ohhh, Diana.' I didn't know Angela was going to be called Angela when I wrote 'Angie'. In those days you didn't know what sex the thing was going to be until it popped out. In fact, Anita named her Dandelion. She was just given the added proper noun Angela because she was born in a Catholic hospital where they insisted that a 'proper' proper noun be added."[11] Co-ordinate to NME, the lyrics written by Jagger were inspired by Jagger's breakup with Marianne Faithfull.[7]

This was the last Rolling Stones album produced by Jimmy Miller, who had worked with the band since 1968's Beggars Banquet. Miller had adult a debilitating drug addiction during the form of his years spent with the Stones.

Pecker Wyman just plays bass on three tracks on the album, with a majority of the bass duties beingness handled by Richards and Taylor instead. Aside from the official band members, other musicians actualization on Goats Head Soup include keyboard players Billy Preston, Nicky Hopkins and Ian Stewart.

Recording was completed in January 1973 in Los Angeles and May 1973 at London's Island Studios. The song "Silver Train" was a leftover from 1970s recordings at Olympic Sound. Goats Head Soup was also the band'southward first album without whatsoever comprehend songs since Their Satanic Majesties Asking in 1967.

The sessions for Goats Head Soup were arable with outtakes. 2 of these – "Tops" and "Waiting on a Friend" – would surface on Tattoo You in 1981, and characteristic Mick Taylor on guitar; "Through the Solitary Nights" became the B-side to the "It's Only Stone 'n Roll (But I Like It)" unmarried and was released on CD for the beginning time on the 2005 compilation Rarities 1971–2003. It is a soft stone ballad that features Richards on wah wah/Leslie speaker filtered guitar with Taylor playing a brief solo. In add-on, "Short and Curlies" was started at the Goats Head Soup sessions and ended upwards appearing on the It'southward Only Rock n' Roll LP.

Release [edit]

At the time of release, Jagger said, "I really feel close to this album, and I actually put all I had into it ... I guess it comes across that I'thousand more into songs. It wasn't every bit vague as [Exile on Main St.] which kind of went on so long that I didn't similar some of the things. There's more thought to this one. It was recorded all over the place over almost two or 3 months. The tracks are much more varied than the concluding one. I didn't want it to be just a bunch of rock songs."[ citation needed ]

The lead single, "Angie", was released on 20 Baronial 1973 by Rolling Stones Records, with "Argent Train" as the B-side.[12] Information technology sailed to number one in the United states of america and became a worldwide hit. Goats Head Soup was subsequently released on 31 August, with the catalogue number COC 59101,[thirteen] and also shot to the top of charts worldwide. The band attracted controversy with "Star Star", which was banned by the BBC in September due to its obscene lyrics. The song was originally titled "Starfucker" until Atlantic Records possessor Ahmet Ertegün (Atlantic was the benefactor of Rolling Stones Records) insisted on the change.[14]

The Rolling Stones' fall 1973 European Bout followed presently later the anthology'south release, in which four slots in the set listing were given to the new material: "Doo Doo Doo Doo Doo (Heartbreaker)", "Star Star", "Dancing with Mr D" and "Angie" – although apart from a few earlier performances of "Silver Train" and "100 Years Agone", nothing else from Goats Head Soup was played alive until the 2002–2003 Alive Licks tour, when the ring dusted off "Star Star". "Silver Railroad train" and "Dancing with Mr D" were performed on the 2014 and 2017 tours.[15]

Album art [edit]

The anthology cover was designed past Ray Lawrence and photographed by David Bailey, a friend of Jagger'southward who had worked with the Rolling Stones since 1964. The portrait of Jagger on the front cover was approximately life size in the original 12-inch LP format. Jagger was reluctant to be shot enveloped by a pinkish chiffon veil, which Bailey said was meant to look similar "Katharine Hepburn in The African Queen". The album's gatefold has Taylor, Wyman and Watts wrapped effectually a similar cloth, and Richards on the back.[16] [17]

Disquisitional reception [edit]

Contemporary reviews [edit]

Disquisitional reaction to the anthology was varied at the time. In Rolling Stone, Bud Scoppa called it "one of the year's richest musical experiences".[18] On the other hand, Nick Kent of the NME constitute the record lacking in originality, stating, "on Goat's Caput Soup the Stones have really nothing to say, but somehow say it so well that the results transcend the redundancy of the project in the showtime place". He called the album "truly not bad", giving praise to "Dancing with Mr. D" especially, and recommended that listeners "mind to it carefully".[19] The Chicago Tribune 's Lynn Van Matre agreed, finding the record uninnovative compared to prior works. Although she found it "more carefully put together" than Exile on Main St., she felt Goats Head Soup came across as a collection of songs rather than a cohesive project. Nevertheless, Van MAtre praised the music, particularly "Heartbreaker".[20] Charlie Gillett of Let It Rock magazine concluded that with Goats Head Soup, the Stones "finally ousted their rivals" as "The Globe'south Greatest Rock Band", and deemed it "their first LP which is unquestionably the all-time rockin' groove of its fourth dimension".[21]

Billboard called Goats Head Soup "another fine album characterised every bit always by a serial of fine, hard rockcuts from Mick Jagger and Keith Richard and superb guitar work from Mick Taylor".[22] The reviewer particularly praised the ballads "Winter", "Tin You Hear the Music" and "Angie".[22] Writing for Zoo World, Arthur Levy considered the tape on par with Viscid Fingers and Exile on Master St., adding that the 3 albums "are now the seeds of a new oeuvre".[23]

By contrast, Lester Bangs derided the album in Creem, saying, "At that place is a sadness about the Stones now, because they amount to such an enormous 'And then what?' The sadness comes when you measure not only one album, simply the whole sense they're putting across at present against what they once meant..."[3] The Philadelphia Inquirer 'southward Jack Lloyd admitted that the LP would sell well, just overall constitute the album failed to live upwards to the band's previous works.[24] Greg Shaw of Phonograph Record said the record had "no redeeming qualities whatever" and plant "aught adept" near it.[25] A year afterward, when reviewing Information technology's Simply Rock 'n Roll, Shaw considered Goats Head Soup to exist the ring's worst album up to that point, writing, "[it's the album] in which the rock & roll was insincere and the 'sensitive' material seemed forced and out of graphic symbol."[26]

Retrospective reviews [edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 84/100
(deluxe) [27]
Review scores
Source Rating
AllMusic [28]
Christgau's Record Guide B[29]
The Great Rock Discography 6/10[30]
MusicHound 2/v[31]
NME 6/ten[32]
Pitchfork viii.0/10[33]
Q [32]
The Rolling Stone Anthology Guide [34]
Tom Hull B[35]
Virgin Encyclopedia of Popular Music [30]

In his retrospective review for AllMusic, Stephen Thomas Erlewine writes: "Sliding out of perhaps the greatest winning streak in rock history, the Stones slipped into decadence and rock star excess with Goats Head Soup ... This is where the Stones' image began to eclipse their accomplishments, as Mick ascended to jet-setting glory and Keith slowly sunk deeper into addiction, and information technology's possible hearing them moving in both directions on Goats Head Soup, at times in the same song."[28] Reviewing the 2009 reissue, Michael Hann of The Guardian gave the anthology a highly favourable review, stating that those who dismiss it in comparison to its predecessors are "missing a care for". Hann wrote that the album foreshadowed the band'southward sound of the late 1970s and 1980s, and that "Angie" and "Coming Downwardly Over again" are among the best songs in their entire catalogue.[36] In 2015, Michael Gallucci of Ultimate Classic Stone felt that despite the inclusion of skilful tracks such as "Dancing with Mr. D", "Doo Doo Doo Doo Doo (Heartbreaker)" and "Star Star", the anthology represents the cease of the Stones' "classic era".[37]

Reviewing the 2020 reissue, Gallucci commented that although the Stones did not "bottom out" until 1976'south Black and Blue, Goats Caput Soup is where their pass up began. Although he found that the new mix enhances the album, he stated: "It's however sludgy, it withal drags at points and it all the same occasionally comes off as lazy coasting by a band that felt it didn't accept to endeavor anymore now that information technology was on peak of the world."[38] David Browne of Rolling Stone writes that the original album failed to live up to its predecessor and "made it announced equally if the Stones had gone overnight from the coolest, possibly greatest, rock and roll band to something less than that – but another big, commercial rock act".[39] He felt that even throughout the new mixes, the ring sounds "burnt out, regretful, melancholic, [and] even at times vulnerable". He concluded that with the reissue, Goats Head Soup "at present feels historic".[39] Jem Aswad of Diversity similarly felt that the 1973 album concluded their "almost-peerless streak" that began with Beggers Banquet.[40] Although Aswad deems Goats Head Soup a "good album", she felt the reissue'due south outtakes were "forgettable" and the unreleased live album was worth information technology solitary.[40] Conversely, Alan Lite of Esquire called Goats Head Soup a bad anthology, saying that it concluded "i of the greatest runs in rock & roll history".[41] He cited the ballads as its highlights and commented: "It marked the moment the band stopped simply being the Rolling Stones and started playing the part of 'The Stones'."[41] Michael Elliott of PopMatters agreed, writing that Goats Caput Soup ended "the greatest four-album run in rock 'n' roll". He states that the album is where "their rise" began to wane and "the thought of the Rolling Stones became just as important as the ring itself". Elliott nonetheless praised songs such every bit "Angie" and "Doo Doo Doo Doo Doo (Heartbreaker)", too as the unreleased tracks, writing that "Criss Cross" would "easily" have been a highlight of the original record.[42]

Reissues [edit]

In 1994 Goats Head Soup was remastered and reissued by Virgin Records, and once again in 2009 by Universal Music. The 1994 remaster was initially released in a Collector'southward Edition CD, which replicated in miniature many elements of the original gatefold album packaging. The first pressing of the 2009 remaster contains a censored version of "Star Star" that was on the original United states vinyl release, but not on the 1994 Virgin CD; later pressings contain the uncensored version.

The album was reissued again in 2011 by Universal Music Enterprises in a Japanese-only SHM-SACD version, which includes the uncensored version of "Star Star" with a previously unreleased fadeout.

On iv September 2020, the album was reissued past Polydor Records, with a new mix by Giles Martin. Palatial editions of the album featured never-before-released outtakes such equally "Criss Cross", released as a music video on 9 July 2020, "Scarlet", featuring Jimmy Page, released equally a music video on eight August 2020, and "All the Rage". The anthology re-entered the Britain albums nautical chart at number one, 47 years later on it first reached the top of the chart in September 1973.[43]

Track listing [edit]

1973 original release [edit]

All tracks are written by Mick Jagger and Keith Richards.

Side ane
No. Title Length
1. "Dancing with Mr. D" 4:53
2. "100 Years Ago" three:59
3. "Coming Down Again" five:54
4. "Doo Doo Doo Doo Doo (Heartbreaker)" 3:26
5. "Angie" four:33
Side two
No. Title Length
1. "Silvery Train" four:27
2. "Hide Your Beloved" four:12
3. "Winter" 5:thirty
iv. "Can You Hear the Music" 5:31
five. "Star Star" 4:25
Full length: 46:56

2020 Deluxe edition bonus tracks [edit]

Rarities & Alternative Mixes
No. Title Writer(south) Length
one. "Carmine" (with Jimmy Page) 3:44
2. "All the Rage" four:32
3. "Criss Cantankerous" Jagger/Richards/Mick Taylor four:eleven
iv. "100 Years Ago" (Piano Demo) ii:43
five. "Dancing with Mr D." (instrumental) three:31
6. "Heartbreaker" (instrumental) 3:18
7. "Hide Your Love" (culling mix) 5:18
8. "Dancing with Mr D." (Glyn Johns 1973 mix) iv:34
nine. "Doo Doo Doo Doo Doo (Heartbreaker)" (Glyn Johns 1973 mix) 3:26
x. "Silver Train" (Glyn Johns 1973 mix) 4:31
Total length: 39:58
Bonus disc (Brussels Affair, 1973)
No. Title Length
i. "Brown Carbohydrate" (Alive at Forest National Loonshit, Brussels, 17/10/73, commencement show) iii:54
2. "Gimme Shelter" (Live at Forest National Arena, Brussels, 17/10/73, second show) 5:31
3. "Happy" (Live at Forest National Loonshit, Brussels, 17/x/73, second prove) iii:thirteen
four. "Tumbling Die" (Live at Forest National Arena, Brussels, 17/10/73, second show) 5:02
5. "Star Star" (Live at Forest National Loonshit, Brussels, 17/10/73, 2nd bear witness) iv:fifteen
6. "Dancing with Mr. D." (Live at Forest National Arena, Brussels, 17/10/73, second prove) 4:36
7. "Doo Doo Doo Doo Doo (Heartbreaker)" (Live at Woods National Arena, Brussels, 17/10/73, second evidence) v:01
viii. "Angie" (Live at Forest National Arena, Brussels, 17/10/73, second bear witness) 5:xiii
9. "You Tin't Always Get What You Want" (Live at Forest National Arena, Brussels, 17/10/73, second show) 10:57
10. "Midnight Rambler" (Live at Woods National Arena, Brussels, 17/10/73, first prove) 12:49
11. "Honky Tonk Women" (Live at Forest National Arena, Brussels, 17/10/73, 2d show) 3:10
12. "All Down the Line" (Alive at Forest National Loonshit, Brussels, 17/10/73, second show, guitar solo taken from the first prove) 4:19
13. "Rip This Joint" (Alive at Wood National Arena, Brussels, 17/ten/73, second show) 2:24
14. "Jumpin' Jack Flash" (Alive at Forest National Arena, Brussels, 17/10/73, second testify) 3:26
xv. "Street Fighting Human being" (Live at Woods National Arena, Brussels, 17/10/73, second show) 5:13
Total length: 79:33

Personnel [edit]

  • Rail numbers noted in parentheses below are based on the CD rails numbering.

The Rolling Stones

  • Mick Jagger – atomic number 82 vocals (all only 3), backing vocals (1, 3, iv, half dozen, ix, 10), electric guitar (6, 8), harmonica (half-dozen), piano (7)
  • Keith Richards – electric guitar & backing vocals (one, 3, 4, vi, 9, 10), bass guitar (2, four, half-dozen, 7), acoustic guitar (5), lead vocals (3)
  • Mick Taylor – electric guitar (ane, 2, 4, 6–10), bankroll vocals (1, 4, 6), bass guitar (1, three, 9), acoustic guitar (5)
  • Beak Wyman – bass guitar (five, 8, ten)
  • Charlie Watts – drums (all tracks)

Boosted personnel

  • Nicky Hopkins – piano (1, 3, 5, 8, 9)
  • Billy Preston – clavinet (2, 4), piano (4)
  • Ian Stewart – piano (6, 10)
  • Bobby Keys – tenor saxophone (4), baritone saxophone (3, vii, x)
  • Jim Horn – alto saxophone (three, 4), flute (ix)
  • Chuck Findley – trumpet (iv)
  • Jim Cost – horn arrangement (4)
  • Nicky Harrison – string organization (5, 8)
  • Anthony "Rebop" Kwaku Baah – percussion (1, ix)
  • Pascal (Nicholas Pascal Raicevic) – percussion (i, 9)
  • Jimmy Miller – percussion (nine)

Technical

  • Chief engineer and Mixer – Andy Johns
  • Assistant engineers – Carlton Lee, Howard Kilgour and Doug Bennett.
  • Photography and sleeve blueprint by David Bailey

Charts [edit]

Certifications [edit]

References [edit]

  1. ^ Loewenstein & Dodd 2003, pp. 159, 162.
  2. ^ Loewenstein & Dodd 2003, pp. 168–171.
  3. ^ a b c "Goats Head Soup". timeisonourside.com. Archived from the original on 5 January 2007. Retrieved i January 2007.
  4. ^ Loewenstein & Dodd 2003, p. 162.
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  6. ^ Schragis, Steven (Baronial 1987). "Dear Was a Many-Splendored Thing". Spy. New York City: Thomas 50. Phillips, Jr. p. 20. Archived from the original on xiv February 2016. Retrieved 26 January 2016. Jagger, it was rumored, had earlier written 'Angie' (Goats Head Soup, 1973) for David Bowie's wife, Angela.
  7. ^ a b "Revealed – The Stories Behind The Rolling Stones' Classic Songs: 'Angie'". NME. London. 12 October 2010. Archived from the original on vi March 2016. Retrieved 26 January 2016. Rumored to exist inspired by Angie Bowie, information technology was actually inspired by Marianne Faithful afterwards her human relationship with Jagger collapsed.
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Sources [edit]

  • Aeppli, Felix (1985). Middle of Rock: The Definitive Rolling Stones Discography, 1962–1983. Ann Arbor, Michigan: Pierian Press. ISBN0-87650-192-vii.
  • Loewenstein, Dora; Dodd, Philip (2003). According to the Rolling Stones. San Francisco, California: Chronicle Books. ISBN0-8118-4060-3.
  • Richards, Keith; Play a joke on, James (2010). Life. New York City: Back Bay. ISBN978-0-31603-441-8.

External links [edit]

  • Goats Head Soup at Discogs (listing of releases)
  • Goats Caput Soup on RollingStones.com

Dandelion This Is a Baby With Its Head Popped Off

Source: https://en.wikipedia.org/wiki/Goats_Head_Soup